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Non-Mafia Game Threads / Re: The Necro Wars
« on: November 04, 2024, 01:53:27 pm »
Rate the probability that Trump knows what a tariff is
The media (who remarkably consistently fail to understand what prediction markets are) seem to think it's obviously good for Trump
It could be a rich guy trying to influence the election, although it's not obvious whether being a favorite in the markets is good or bad for a candidate?
The psychological manipulation aspect of it seems speculative at best since it could have so many different effects in either candidate's favor.
None of those pixels are really integral to the picture, you could change any number of them to a random grayscale pixel and the picture would still look the same. Meanwhile, if you just changed the sub bass sound so that it starts at 0° phase instead of the ~90° it actually does, that would very substantially change the character of the song. (This is what difference it would make.)
And the stuff that is there in Green is definitely a lot more complex and particular (as in, it is crucial for things to sound exactly the way they do, much more so than it is in Ice)Alright well there's the part I don't get. I think you could change the sounds by a lot and move a lot of stuff around and it wouldn't sound particularly worse to me.
I don't enjoy any aspect of this, I'd have to give it like a 1/10. But even just looking at how much stuff there is in here, it feels so underwhelming. Like it feels like something he could do in a month. The good stuff he's made has so many layers, and it all feels so perfectly and lovingly crafted together. This is just a bunch of shit. Genuinely, I think he could do this in a month. And, well, since the lat album was released in July 24th of this year, it can't have been that much more time.
There's so much stuff though. I only listened to Green, but there's lots of different synths and some of them are very complex sounds with modulation, some are complex enough that I don't even know how they're made beyond recognizing some obviously apparent techniques. There's also tons of different percussive elements, and even the vocal sample and piano have all kinds of glitch effects and other processing going on. This kind of stuff is actually pretty difficult to do and almost necessarily involves a lot of experimentation and trying out different versions of things, because it's that hard to find the balance between overdoing and not doing enough and to identify the reasons why your current version doesn't sound as satisfying as you're imagining it should.
I don't think it's unrealistic to make in a month, but a month is a very long time to be making an album's worth of electronic music (for reference, I spent about 2-3 hours per song on the Jelly Is Sticky soundtrack, and Martin Garrix has a 23-minute long tutorial where he teaches you how he made his hit song Animals and it's almost comprehensive enough that you can just follow the tutorial and recreate the song if you have the same samples and presets he's using), and I'd actually believe him if he said it took much more than a month if the whole album is like Green.